The Road
Theatre on Magnolia is proud to present a world premiere play by Sharr White
entitled Stupid Kid. After 14 years in prison for a crime he swears he didn’t
commit, Chick returns home to find his flat-broke family under the thumb of his
dangerous Unclemike. A rollicking Gothic Western tale of a family isolated by
shame, Stupid Kid explores power, guilt and the limits of maternal love. The
play begins previews on Saturday, September 16 at 8pm and has its official opening on
Friday, September 22 at 8pm running through Sunday, November 12 at the Road
Theatre on Magnolia.
Each week we
will spotlight members of the cast and/or creative team. This week we take
pride in placing Stupid Kid’s director Cameron Watson centerstage.
Heralded by The Los Angeles Times as
“one of our finest contemporary directors,” Watson began his professional
career in New York City studying acting with the legendary Herbert Berghof at
HB Studio. He soon landed the starring role in the original production of
Horton Foote’s The Widow Claire at
Circle in the Square, replacing Matthew Broderick, which led to a lifelong
relationship and collaboration with Mr. Foote, as well as a successful and
enduring acting career. Watson's triumphant revival of Tennessee
Williams' Cat On a Hot Tin Roof
recently closed a sell-out run at Antaeus Theatre Company. He is a true Renaissance man: a director, a
filmmaker, a teacher and an actor.
What is your perspective of the play? Tell us about the message and what it offers the audience.
Stupid Kid is a very unexpected play about unexpected people and an unusual
situation that we very rarely see in the theatre. These folks are Gothic
Western Colorado working class folks. They had a very loving lower-middle class
existence as a family once, and now they have nothing. Literally. Barely food. No money, no income. No family. A
son imprisoned for fourteen years. And on this particular day, no phone, as it
has been cut off. I was drawn to this play because of these people. When I
first read it, I laughed out loud at them, I was in amazement of how they
treated each other, I laughed even more, and then, all of the sudden, I wept
for them. I saw their damaged hearts and I wept. They want what they had
before. And the fact that they can't have it truly broke my heart.
How does the playwright achieve his
goal via his various characters? Does he involve them in an especially
fascinating way?
Sharr's execution of these characters
in this play is extraordinary. It is rare to be able to laugh, then be
offended, then be blindsided, then to care deeply about a character. In one
scene alone he manages to give each of them such fully rounded dimension, it
blows me away. They exist. They breathe and sweat and hurt and fall apart and
pick themselves up.
Talk about your cast.
You hope above hope that your cast is
perfect and that they bond and that they form the ensemble that is on the page
and in the playwright's mind and heart. And boy, these six actors that I am
blessed to have certainly do all of that, and much more. Casting is everything.
The cliche is true. But when you get it right? Oh, man - it makes my job so
much easier. I have the expertise of brilliantly seasoned pros like Taylor
Gilbert, Joe Hart, Rob Nagle and Michelle Gillette, and then these two new,
young discoveries in Allison Blaize and Ben Theobald. They are the real thing.
Their skill, to be as young as they are, is jaw dropping. I think, no, actually
I know, I have two new shining stars on my hands here.
Anything you care to add?
This play will surprise you and catch
you off guard. It will make you laugh hard. It will shock you. And it will make
you clutch your heart.
Stupid Kid plays Fridays and Saturdays at 8 pm and Sundays at 2 pm through November 12. The Road on Magnolia
is located in The NoHo Senior Arts Colony at 10747 Magnolia Blvd. in North
Hollywood. There is plenty of street parking available.
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